Nora Turato, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy die Künstlerin und LambdaLambdaLambda, Pristina
Michael Riedel, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy der Künstler, Gabriele Senn Galerie, Wien und Galerie Michel Rein, Paris
Peter Wächtler, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy des Künstlers, dépendance Gallery, Brüssel, Lars Friedrich, Berlin und Reena Spaulings Fine Art, New York
Cally Spooner, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy die Künstlerin und gb agency, Paris
Sarah Kürten, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy die Künstlerin und Max Mayer, Düsseldorfs
Pauline Boudry/Renate Lorenz, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy die Künstlerinnen, Ellen de Bruijne Projects, Amsterdam und Marcelle Alix, Paris
Studio for Propositional Cinema, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy Studio for Propositional Cinema und Tanya Leighton, Berlin
Michael Dean, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer. Courtesy der Künstler und Tanya Leighton, Berlin
Alejandro Cesarco, Ausstellungsansicht Bielefelder Kunstverein 2018. Photo: Philipp Ottendörfer.Courtesy der Künstler und Tanya Leighton, Berlin

Scripts

SEPTEMBER 01 - NOVEMBER 04, 2018

OPENING: August 31, 7 PM

With contributions by: Pauline Boudry / Renate Lorenz, Alejandro Cesarco, Michael Dean, Sarah Kürten, Michael Riedel, Cally Spooner, Studio for Propositional Cinema, Nora Turato and Peter Wächtler

In recent years, numerous artists have published fragmentary novellas, film scripts, plays for theatre and radio and conceptual texts. Writing and working with texts are understood as an independent process, as a specific form of artistic activity and as a possibility of expressing public thought. Influenced by contemporary theory, historical scripts or socio-political changes the artistic texts become source-codes for various forms of presentation. Language, words and writing are tools of communication, visualization and phonetic expression, which can be understood as materials themselves.

Against this background, the exhibition, »Scripts«, investigates writing as a model and basis for artistic production, the composition of own texts as well as the translation and appropriation of already existing documents. The transformation of these scripts in various media or visual forms is a main focus of the exhibition. The international group exhibition collects together a wide variety of different films, sounds, large-scale prints, sculptures and installations, which share common ground in scripts.

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